After the toss of a coin that captures a dream to be realised, the protagonist shows himself. But the coins seem to conceal another face on the right. And then, gradually the viewer's gaze penetrates in the shot and enlarges it. The main character looks like a prisoner behind grates that inhale and sigh. It is here that representation blends with reality and replaces it. As in Thomas' shot, there is less photographic objectivity, leaving us with an undisclosed doubt emphasising the courageous role of the man's gaze before a sometimes unknowable reality.