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Through a long flashback, Sámi Blood tells the story of the emancipation of Christina, who returns, for her sister's funeral, to her hometown in the far north of Sweden. She lets herself go to the memories of a childhood lived under the sign of violence and racial discrimination, in the Sámi community in which she was born.
Samuele Rey nasce a Napoli il 7 luglio 1999. Nel 2017 dirige il cortometraggio Squame per il progetto:“A proposito di riforma: Quali immagini per le idee?”
I racconti dei ragazzi dell’istituto Scialoja di San Giovanni a Teduccio raccontano il loro quartiere, le difficoltà e le credenze popolari di San Giovanni.
Sezione VI di Mauro Caiano (Ita, 2008, 20') Ven 13 h 16.46
 di Giordano Bassetti (Ita, 2010, 13') Scuola Media Statale “G. Diano” - Pozzuoli, mar 8 Maria, Ferdinando, Daniela, Davide and their friends must confront the ‘day of the lovers' and ask themselves what love is. But at that age it's not always easy to take the measure of your feelings. Which of them will find the courage to make a declaration?
Sezione III di Flaviano Pizzardi (Ita, 2007, 22') Mar 10 h 18.00
di Gilberto Martinelli (Ita/Hun, 2010, 34') dom 6 For Sandor Marai, the greatest Hungarian writer of the twentieth century, Naples represented the only place where he could cultivate his language and his hope after his voluntary exile, until the eventual “liberation” by the Nazis. In the humanity of the people of Naples he found the key to his own survival as a man and a writer. Watch the video
He was born in Naples on June 13rd 1959. He attended the Cinematic Arts Experimental School for Film Direction and Script and got his diploma in 1987. In the meantime, he founded a band called the Panoramics, in which he was both songwriter and singer. The band collaborated with Mario Martone and the “Falso Movimento” Group; they also composed the soundtrack of Martone’s video called Perfidi incanti. After this, a single called Bugie colorate was a stunning work released in 1986 and the same album in 1989.
Il 5 marzo 2016 migliaia di napoletani scesero in piazza, sul sagrato del duomo, per difendere la laicità della gestione del tesoro di San Gennaro, gestito da 500 anni dall'organismo laico della Deputazione del Tesoro, composta dagli ultimi discendenti dei sedili di Napoli, a causa di un decreto firmato Alfano, che ne avrebbe cambiato la natura, inserendo anche la Curia partenopea nella gestione del tesoro.

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