Description:
A loud backgound noise can be heard in the work of Antonioni; the uncertain step and twist as Giuliana slides on the inclined plane of her neuroses; she passes very close to the horizon line of the great outlines of industrial and technological civilisation, of progress and depersonalised well-being that rewrites ethical and moral concerns, while it de-structures sensitivity, and colours, with the arid and contaminated land, the gaze on humanity, on feelings, and on closest affections. Until it transfigures them into lifeless objects.
