Elia Venezia is a psychoanalyst who also treats her patients through hypnosis. His laziness touches Oblomov's languor, his stinginess not only deals with money but also vital energies, which he maintains as if they were to serve him for some later existence. His relationship with his wife, Giovanna, from which he is separated in the house (but the apartment in which he lives is strategically divided in two), are characterized by passivity: she washing his linen, cooking hm polpettone and on Fridays dragging him at the Theatre.