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Giuliana has attempted suicide and has been in a psychiatric clinic for a time. An industrialist, Conrad, is looking for workers for an operation in Argentina. He knows her husband Ugo from before and also gets to know Giuliana, who seems to be regaining her equilibrium. Everything seems about to collapse, however, when Giuliana's son gets sick and the woman takes on the disease with exaggerated somatic symptoms. Desperate, she throws herself into Corrado's arms and they have an affair. But he has to go to Patagonia and she doesn't seem able to solve her psychological crisis.
Un uomo che si presenta come agente della camorra ritira una busta con dei soldi che servono a coprire la latitanza del figlio dei coniugi Lo Giglio. Damiano è ormai lontano da più di 18 anni e questo appuntamento fisso per i genitori è il modo per essergli vicino. Con quel teatrino che si rinnova ogni quattro cinque mesi, Damiano continua a essere presente nelle loro vite: magari a Cuba, magari con una bella fidanzata accanto e un buon lavoro, magari Damiano sta bene…
In this picture I have captured the feeling of oppression I felt me while watching the films "The Red Desert" and "The Eclipse" by Michelangelo Antonioni. The characters of his films are in a constant state of conflict with themselves and therefore with the world. They feel oppressed by what they are and the pain of living crushes them, preventing them from being able to find a way out of the surrounding darkness that projects into their psyches.
Just Between Us is a wicked, indiscreet contemporary story set in Zagreb about the whirling erotic passions that percolate beneath the dull, composed surface of everyday bourgeois life and manners. It is about things that happen in well-established families that are mainly kept secret, but that nevertheless remain painful. We meet two brothers, their wives and lovers – and their children who do not know who their real fathers are.
di Andrea D'Ambrosio (Ita, 2010, 59') mer 9 Franco Arminio lives and works in the eastern area of Irpinia. He is the inventor of a new form of literature, "landscapeology”, a discipline as essential as it is inexistent. He can't manage to live in Bisaccia, nor can he manage to leave it. He wanders round remote, abandoned villages where most of the inhabitants have left, “to find life” and only the weakest have remained.
Sezione IV di Guido D'Apuzzo (Ita, 2008, 1') Mer 11 h 18.59, Dom 15 h 19.29

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